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Archives Volume-11, Issue-1 (January-June)

TABLE OF CONTENTS

Paper Title:
HUMAN RELATIONSHIP DYNAMICS IN THE PLAYS OF MAHESH DATTANI
Author Name:
Deepak Sharma
Country:
India
Page No.:
1-4
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HUMAN RELATIONSHIP DYNAMICS IN THE PLAYS OF MAHESH DATTANI
Author: Deepak Sharma

ABSTRACT
Why Dattani has been regarded as a radical, unconventional and contemporary voice in
Indian theatre summarise all past research efforts, and because of this, are increasingly being
used as a way of addressing the rapid accumulation of information the research has been done
so far. Because reviews, rather than primary research, are now being used as the basis for
many decisions and research proposals as a rich source, it is important that they are
conducted with the same rigour of the primary research. To ensure this rigour, the past two
decades have seen a progressive evolution in review methodology, to the point where reviews
are now considered research in their own right. Despite this development, the standard of
many published reviews remains poor. The paper keen awareness and penetrating insight into
the socio-psychological spectrum of human behaviour that affects human relationships at
personal and interpersonal levels and adds new dimensions to the area of his theatrical
canons. The main area of his focus is, of course, the human relationships. Within the
periphery of theatre, Dattani dramatizes human pursuits and desires that determine the
dynamics of relationships inside and outside the family. Besides depicting the „visible‟ social
reality, Dattani‟s preoccupation with the „invisible‟ issues inspires him to provide space to the
marginalized sections of society like the gays and the eunuchs., usually either as an academic
assignment or part of the research process
Key Words: Radical, Unconventional, Behaviour, Relationship, Gays, Eunuchs

Paper Title:
EXPLORING THE STREAM OF CONSCIOUSNESS TECHNIQUE IN MULK RAJ ANAND’S UNTOUCHABLE
Author Name:
Vaishali Dube & Satyam Patel
Country:
India
Page No.:
5-7
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EXPLORING THE STREAM OF CONSCIOUSNESS TECHNIQUE IN MULK RAJ ANAND’S UNTOUCHABLE
Author: Vaishali Dube & Satyam Patel

ABSTRACT
This article discusses the stream of consciousness approach used by Anand in 'Untouchable' to highlight social
issues and racial oppression. Virginia Woolf, a 20th-century writer and founder in the use of the stream of
consciousness as a narrative device on a wide scale, used the stream of consciousness technique. Some of the
major strengths of this technique include its concern with time, subjectivity, interiority, lack of action against
exploitation, plot, and tragedy, and characterization of the subconscious. Mulk Raj Anand uses this method to
portray the tribal picture of Indian society in Untouchable people. Anand has focused on the plight of lower
caste peoples.
Keywords: Stream of Conscious Technique, Bakha, Lakha, Social Problems, Orthodox, Plight, Humiliation

Paper Title:
THE REPRESENTATION OF DIASPORA IN V. S. NAIPAUL’S A BEND IN THE RIVER
Author Name:
Bansilal Manohar Meghasham & Sital Kumari
Country:
India
Page No.:
8-11
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THE REPRESENTATION OF DIASPORA IN V. S. NAIPAUL’S A BEND IN THE RIVER
Author: Bansilal Manohar Meghasham & Sital Kumari

ABSTRACT
The main objective of this paper is to discuss the important theme of the diaspora in V.S.
Naipaul’s fiction and to explore the real status of diasporic people. It also analyses migration
as a part of the broader change and transnational networks and linkages between Indian
diaspora and diasporic communities. It is narrated very apt in the novels of V.S. Naipaul. The
first Nobel Prize winner of the 21st century has become the spokesman of immigrants. His
work is full of the agony of an exile, the pangs of a man in search of meaning and identity
and diasporic literature. In addition to this paper will examine the feelings of alienation and
rootlessness undergone by expatriates with V.S. Naipaul’s A Bend in the River.
Keywords: diaspora, rootlessness, alienation, expatriates, unemployment.

Paper Title:
FRACTURED SELVES IN WILLIAM GOLDING’S FICTION: EXPLORING IDENTITY CRISIS AS MORAL AND SOCIAL UNRAVELLING
Author Name:
Rajeev Chandra Prasad Visala
Country:
India
Page No.:
12-17
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FRACTURED SELVES IN WILLIAM GOLDING’S FICTION: EXPLORING IDENTITY CRISIS AS MORAL AND SOCIAL UNRAVELLING
Author: Rajeev Chandra Prasad Visala

ABSTRACT
William Golding's fiction deeply examines the fragility of human identity, depicting it as a
tenuous construct vulnerable to disintegration amid isolation, primal instincts, and existential
challenges. This paper analyses the motif of fractured identities in three seminal texts, Lord of
the Flies (1954), The Inheritors (1955), and Pincher Martin (1956), to illustrate how identity
crises lead to moral decay and societal disintegration. In Lord of the Flies, the boys' descent
into savagery exemplifies the dichotomy between civilised and primitive identities,
undermining ethical boundaries and promoting anarchic tribalism. The Inheritors juxtaposes
Neanderthal communal harmony with Homo sapiens' aggressive individualism, elucidating
identity as an evolutionary weakness that erodes moral empathy and social cohesion. Pincher
Martin explores psychological trauma, illustrating how the protagonist's hallucinatory selfreconstruction reveals the ego's deceptive essence, ultimately resulting in symbolic
annihilation. Utilising psychoanalytic, existential, and thematic critiques, this analysis
illustrates Golding's bleak yet penetrating perspective on identity as the cornerstone of moral
and social order. Ultimately, Golding asserts that without vigilant self-awareness, fragmented
identities inevitably dismantle the essence of humanity, presenting a cautionary allegory for
post-war existential anxiety.
Keywords: William Golding, fractured self, identity crisis, moral disintegration, social
unravelling, Lord of the Flies, The Inheritors, Pincher Martin

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